Illustration for Scientific American for an article about possible lingering side-effects of anaesthesia. 

Illustration for Scientific American for an article about possible lingering side-effects of anaesthesia. 

Passenger

A painting for “Brink”, Antler Gallery’s benefit show for the Audubon Society of Portland.

Passenger
A painting for “Brink”, Antler Gallery’s benefit show for the Audubon Society of Portland.

Illustration for Alberta Oil about two conflicting pipelines.

Illustration for Alberta Oil about two conflicting pipelines.

Illustration for Scientific American for an article about illegal wildlife trafficking.

Illustration for Scientific American for an article about illegal wildlife trafficking.

Illustration for the New York Times Book Review about the history between women and alcohol.

Illustration for the New York Times Book Review about the history between women and alcohol.

My piece for Light Grey Art Lab’s Rolemodels Show opening October 25th

My piece for Light Grey Art Lab’s Rolemodels Show opening October 25th

Illustration for Popshot Magazine, for a poem entitled “Exorcism” by Gavin Bryce.

Illustration for Popshot Magazine, for a poem entitled “Exorcism” by Gavin Bryce.

Spot illustration for Canadian Lawyer magazine about a ruling which determined that legal battles between parents can lead to family violence. 

Spot illustration for Canadian Lawyer magazine about a ruling which determined that legal battles between parents can lead to family violence. 

My piece for Ghostbook, a collection of ghostly themed images and comics from a variety of artists and illustrators.

My piece for Ghostbook, a collection of ghostly themed images and comics from a variety of artists and illustrators.

Public Brains

Despite our feelings of shared understanding, there’s no real way of knowing if any individual’s experience is the same as another’s. 

Public Brains
Despite our feelings of shared understanding, there’s no real way of knowing if any individual’s experience is the same as another’s.